The other members of the quartet were furious because if he had left, they would have found it very difficult to find and rehearse a replacement player in time for the new season. He was offered the post of principal second violin, but refused it at that time. In May 1927, without telling the others, Pogany traveled to Cincinnati to see his friend conductor Fritz Reiner about a job in the symphony orchestra there. In 1925 the quartet debuted in London and signed a recording contract with His Master's Voice, making recordings at His Master's Voice Studio B at Hayes and the Queen's Small Hall. In 1921 or 1922, owing to political unrest in Budapest, the quartet moved to Berlin where the group developed a large repertoire but received only mixed reviews. His date and place of death remain unknown. He then relocated to Amsterdam until 1951, and thereafter returned to Paris. When the Nazis came to power, Indig fled to Paris where he led another quartet for a while. After resigning, Indig became a soloist with the Amsterdam Concertgebouw Orchestra and 1931 he became concertmaster of the Berlin Philharmonic. In 1920, Indig resigned in the hope of advancement he was replaced by Imre Pogany, a native of Budapest who had studied under Hubay and Zoltán Kodály. The original members were Emil Hauser, aged 24, from Budapest Alfred Indig, 25, from Hungary István Ipolyi, 31, from Újvidék in Hungary and Harry Son from Rotterdam, in the Netherlands. If he was replaced, his successor would inherit his voting rights. His initials would be written on the music, and he would always have the extra vote for that piece. Much later, in July 1930, the current members added another rule to resolve tied votes: One player, chosen by lot, would have a deciding vote. No previous quartet had attempted to live entirely on the proceeds of its concerts. No wives or girlfriends were permitted at rehearsals or discussions.Players were paid equally, with nothing extra for the leader (first violin).Players were not allowed to take engagements outside the quartet.All disputes, musical or business, were to be resolved by a vote.The quartet was established with the following rules: The debut recital of the new Budapest String Quartet (in Hungarian: Budapesti Vonósnégyes), took place in December 1917 in Kolozsvár, then in Hungary, now called Cluj-Napoca in present-day Romania. Hubay and Popper had supported Sándor Végh and Feri Roth in the formation of two other quartets bearing their respective names, and were themselves part of an earlier Budapest Quartet, the new quartet being named in its honor. Hubay and Popper had helped to make Budapest a major center for musical education, attracting famous students such as Joseph Szigeti. The members were all protégés of Jenő Hubay (violin), a Hungarian pupil of Joseph Joachim and David Popper (cello), a Bohemian. The Budapest String Quartet was formed in 1917 by four friends, all members of opera orchestras that had ceased playing after World War I broke out. Members Budapest String Quartet (1919) Budapest String Quartet at Fredric R. Additionally, several of the Quartet's live performances were recorded, at the Library of Congress and other venues. A number of recordings were made for HMV/Victor through 1938 from 1940 through 1967 it recorded for Columbia Records. It originally consisted of three Hungarians and a Dutchman at the end, the quartet consisted of four Russians. The Budapest String Quartet was a string quartet in existence from 1917 to 1967. The quartet in 1938: (left to right) Josef Roisman ( violin), Boris Kroyt ( viola), Alexander Schneider (violin), Mischa Schneider ( cello)
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |